It’s terrible. I’m just glad the thing ended; for a while there the question seemed touch and go.

I guess the film wins the award for biggest falloff from credits to movie. I loved the credit sequence. The movie itself … to quote a dispassionate observer, the movie is “hollow and disjointed, the actors moving stiffly from one overdetermined tableau to another.”  It’s like a well-meaning eccentric decided to tell the story of Watchmen thru parade floats, after which an absolute hack shot and edited together the parade floats using techniques made familiar by low-budget rock videos of the 1980s. The movie helps you appreciate how quiet the comic book is, not to mention understated, deft, elegant. The comic book is pretty much told in medium shot, without sound effects, and at a measured pace. The movie’s approach would be the opposite  of all those things.

No big problems with Malin Ackerman or her character. All the cast seemed pretty lame, lightweights chosen for their resemblance to the characters, then stranded amid the dioramas and looped dialogue. The Ozymandias chap was the feeblest all around, but the biggest disappointment was Rorschach’s voice.  He sounded like a cartoon dog.

Most regrettable switch from the movie: Rorschach’s business with the handcuffs and file is gone. Instead he just brings an ax down on the child killer’s head.

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