The following lists were submitted in response to the question, “What are the ten comics works you consider your favorites, the best, or the most significant?” All lists have been edited for consistency, clarity, and to fix minor copy errors. Unranked lists are alphabetized by title. In instances where the vote varies somewhat with the Top 115 entry the vote was counted towards, an explanation of how the vote was counted appears below it.

In the case of divided votes, only works fitting the description that received multiple votes on their own received the benefit. For example, in Jessica Abel’s list, she voted for The Post-Superhero comics of David Mazzucchelli. That vote was divided evenly between Asterios Polyp and Paul Auster’s City of Glass because they fit that description and received multiple votes on their own. It was not in any way applied to the The Rubber Blanket Stories because that material did not receive multiple votes from other participants.

Jessica Abel
Cartoonist, La Perdida, Mirror, Window; co-editor, The Best American Comics series; instructor, School of Visual Arts

Wonder Woman, William Moulton Marston & Harry G. Peter

Max Andersson
Cartoonist, Pixy, Death & Candy

Klas Katt, Gunnar Lundkvist

Deb Aoki
Cartoonist, Bento Box; writer, Manga

Wan Pîsu [One Piece], Eiichiro Oda


1. Akira
Just a tour de force of graphic storytelling. Epic in scope and ambition with breathtaking art,
Akira is a uniquely Japanese statement on power, corruption, rebellion, friendship, betrayal, innocence lost, and so much more. It still blows me away every time I read it.

2. Lone Wolf and Cub
A masterwork. If you’ve read Frank Miller’s
Daredevil or Rônin, and you haven’t read Lone Wolf and Cub, you are really missing out. Beautiful brushwork, cinematic pacing, gut-wrenching action, heartbreaking, and historically fascinating.

3. Sailor Moon
I grew up reading
shôjo manga, so women creating comics was nothing new to me. But for a generation who experienced this shôjo adventure series, being exposed to the Sailor Moon manga (and anime) series was a watershed moment. While the U.S. comics biz thinks “strong female characters” must carry big guns and have even bigger boobs, Naoko Takeuchi showed how a comics creator can inspire and engage female readers without talking down to them.

4. Ranma ½
Frequently mentioned as a “gateway drug” to manga,
Ranma ½ was many readers’ first encounter with the kind of wacky, gender-bending fun that manga has to offer. This light-hearted romantic comedy is a rare comics series that appeals to both male and female readers—it’s little wonder that Rumiko Takahashi is so popular. She may be a bit repetitive, but when she finds a formula that works, it works really well.

5. Emma
So elegantly drawn, so beautifully told. Kaoru Mori does so much with facial expressions and how she develops her characters. The short stories in volumes 8 and 9 illustrate how well she created her world and the richly realized characters who live in it. Her painstaking attention to historical accuracy never weighs down the story—she immerses the reader in a fully realized world, and shows the changes that occurred in England from the late 1800s to the early 1900s through the lives of the people, not just dry facts. If I ever want a pick-me-up, I read
Emma, Volume 10—the most satisfying ending to a manga or comics series I have read.

6. Love and Rockets
At a time when I was reading
X-Men and Daredevil, Jaime and Gilbert Hernandez showed me that comics could be about other stuff I cared about—like punk rock—and worlds I never knew, like life as a Latino in southern California. It made me realize I could draw comics about my experiences as a Japanese-American gal growing up in Hawaii, balancing my punk-rock and art-school life with my family traditions.

7. Elfquest
When I first encountered
Elfquest, I was in the sixth grade. It’s hard to appreciate how revolutionary and different it was when it came out: a black-and-white comic by a female creator, high fantasy, and not from one of the Big Two (Marvel and DC). I love the original story-arcs of this series because they were so well thought-out, and infused with so much love for the characters and their readers.

8. Vagabond
Again, a beautifully drawn series. Takehiko Inoue really captures what it’s like to swing a sword knowing that you could cut off someone’s arm, or be sliced or stabbed in return. As you read this story, you really feel the weight of the sword, the feeling of flesh being cleaved, the blood, the fear of dying, and the exhilaration of battle. Breathtaking art, with a smartly told story about a young man who discovers that true strength comes from the spirit, not solely from his sword.

9. Bone
Ask anyone to recommend a comics series to a friend who doesn’t usually read comics, or to a kid. Nine out of 10 times, people will recommend
Bone. For good reason! It’s action-packed, funny, wonderfully drawn, and terrifically well told. This deserves to be in print forever.

10. One Piece
Every time I read
One Piece, I’m just astounded at Eiichiro Oda’s inventive character designs, his infectious enthusiasm, and the heart and humor with which he infuses the story. The rest of the world is completely in love with this series—it’s one of the highest-selling in Japan today, selling millions of copies each time a new volume comes out, and breaking sales records every time. It definitely deserves more props in the U.S.


11. Frank Miller’s Batman: The Dark Knight Returns
I know this one will be picked by almost everyone you ask, but I can’t exclude it from my list! I sometimes blame this whole “make all superheroes dark and gritty” trend on Frank Miller. But when it came out, it was shocking, astonishing, and punch-in-the-gut bats**t crazy (no pun intended). (O.K., maybe it was intended. Never mind.) I remember where I was when I first read it—how many comic books can you say that about?

Michael Arthur
Cartoonist, Funny Animal Books; contributing writer, The Hooded Utilitarian

Klezmer, Joann Sfar

Nate Atkinson
Assistant Professor of Communication, Georgia State University

Doom Patrol, Grant Morrison & Richard Case

Derik Badman
Cartoonist, Things Change and Maroon; writer, MadInkBeard; contributing writer, The Panelists, The Hooded Utilitarian

King Cat Comics and Stories, John Porcellino

J. T. Barbarese
Associate Professor of English, Rutgers University

Pogo, Walt Kelly


Bill Elder’s work in the Fifties and early Sixties for MAD magazine, particularly the film and comic strip parodies (of Archie comics, especially).

Roz Chast, anything she does or has done for The New Yorker. Pure genius.

R. Crumb’s Zap stuff, and his creation of the single most memorable alternative-comix character, Mr. Natural.

Whoever did the art for the original Classics Comics version of Treasure Island and Frankenstein

Will Eisner’s A Contract with God.

Neil Gaiman’s The Sandman (especially Season of Mists).


Charles M. Schulz, who along with Jules Feiffer essentially defines sophisticated mid-20th-century American irony.

Herblock’s Cold War political cartoons (viz., his sequence on the Cuban Missile Crisis).

Walt Kelly’s Pogo.

And if illustrators were allowed: Boris Artzybasheff’s work on Charles G. Finney’s The Circus of Dr. Lao, and Joe Mugnani’s amazing drawings for Ray Bradbury’s October Country.

Edmond Baudoin
Cartoonist, Le voyage and Le chemin de Saint-Jean

Corto Maltese, Hugo Pratt

Jonathan Baylis
Cartoonist, So… Buttons

Preacher, Garth Ennis & Steve Dillon


Faves, not Best, right?

Child/Teen in Me
Batman: The Dark Knight Returns – Frank Miller – something about the combination of the crazy collector’s market at the time, HOT books and all that, with a story I actually loved at the time. What was I, 13?
Fantastic Four – John Byrne (particularly #245 – “Childhood’s End”) – something about Byrne’s FF run made me a fan for most of my life. I actually own the original art of the page where Franklin causes H.E.R.B.I.E’s destruction.
Lone Wolf and Cub – Kazuo Koike and Goseki Kojima – Liked the Frank Miller covers on these books when they were published by First, but loved the stories inside. So glad Dark Horse collected the entire series years later. So worth the wait.
Swamp Thing – Alan Moore, Steve Bissette & John Totleben – My one summer at a sleepaway camp, my grandmother bought me a bunch of comic books. Like a dozen Archies, and an Alan Moore Swamp Thing. I threw out the Archies.

Adult in Me
5. American Splendor – Harvey Pekar – Easily my biggest inspiration for doing my own auto-bio comics, even though I read Chester Brown, Seth, and Joe Matt first.
Grendel – Matt Wagner & Others (entire Comico run) During Web 1.0, I sought out this entire series and then read the whole thing in one fell swoop. One of the more ambitious projects of its kind that I’ve ever read.
ACME Novelty Library – Chris Ware – Somehow, I lucked out and actually caught this at Issue #1. Brilliant from the first page. I remember the hilarious moments, like those fake ads, more than the depressing Corrigan ones people always seem to refer to.
Metropol – Ted McKeever – Found these in London when I did a semester abroad at a comic shop owned by an ex-pat from Brooklyn! Something about it just hit me the right way. No one is like McKeever.
Preacher – Garth Ennis and Steve Dillon – Easily Ennis’s best work. It strikes so many chords with me with its combination of macabre humor and romance.
Yummy Fur – Chester Brown (entire run, not just storylines turned into graphic novels) – These simply knocked me on my ass.To go from the surreal and fantastic Ed the Happy Clown to the most frank, revealing auto-bio comics of its time. Amazing.

Books I wish I could’ve included somehow: Asterios Polyp, Beanworld, Bone, Blueberry, Concrete, Daredevil: Born Again, Donjon [Dungeon], Maus, Miracleman, Moonshadow, My New York Diary, The Sandman, Strangers in Paradise.

Melinda Beasi
Writer, Manga Bookshelf

Maison Ikkoku, Rumiko Takahashi


A fairly arbitrary list of ten of my favorite comics, subject to change at any particular moment, and in no particular order.

With one major exception, I restricted this list to completed series (or, at least, completed in Japan, and very nearly completed here).

Terry Beatty
Co-creator & artist, Ms. Tree; inker, The Batman Adventures

Terry and the Pirates, Milton Caniff

Robert Beerbohm
Comics historian,; pioneering comic-book retailer

Donald Duck, Carl Barks

Piet Beerends
Cartoonist, Idiosyncs and Light Bulb Face

Calvin and Hobbes, Bill Watterson


I think this would have worked better with a separate list for comic strips and single-panel comics (à la The New Yorker and political cartoons).

Calvin and Hobbes is my favorite by a wide margin, even though it hasn’t influenced my own work at all. Such a fantastic strip. Watterson is an amazing talent, and quit before the strip ever showed any signs of weakness, or a lack of new ideas. He went out on a high note, and never, ever sold out.

Alice Bentley
Office manager, Studio Foglio

Furûtsu Basaketto, Natsuki Takaya


Thank you for putting this project together!

[About the vote for Girl Genius] It’s not just loyalty to my employers that prompts me to list this—I really feel they are doing some groundbreaking work.

Eric Berlatsky
Associate Professor of English, Florida Atlantic University; author, The Real, the True, and the Told: Postmodern Historical Narrative and the Ethics of Representation

The Far Side, Gary Larson


[About the vote for the Locas stories] If I had to choose one “graphic novel,” I’d probably go with Wigwam Bam. Ghost of Hoppers is also really good!

[About the vote for the Ambush Bug stories] The DC Comics Presents and Action Comics guest appearances, the Ambush Bug mini-series, the Son of Ambush Bug mini-series, the Nothing Special, and the Stocking Stuffer. Not the recent mediocre revival.

Noah Berlatsky
Publisher, The Hooded Utilitarian; contributing writer, the Chicago Reader, Comixology, Splice

Daruma [Not Know], Jiun Onkô


Since I am hosting this, I gratuitously insist on having it noted that the last two I cut off my list were Art Young’s Inferno and Marley’s Dokebi Bride.

Sean Bieri
Cartoonist, Jape; design director and illustrator, Detroit MetroTimes

Illegal Batman, Ed Pinsent

Corey Blake

Bone, Jeff Smith

“Bobsy Mindless”
Contributing writer, The Mindless Ones

Flex Mentallo, Grant Morrison & Frank Quitely

Kristin Bomba
Contributing writer,

Nijusseiki Shônen [20th Century Boys], Naoki Urasawa


Bone, by Jeff Smith. No other comic I’ve seen can hit such a wide range of readers, in terms of age, sex, or genre preference. Nearly everyone who has seen it loves it. It sells like crack. It’s fantastically drawn, well written, and a truly great read.

Fruits Basket, by Natsuki Takaya. It wasn’t my very first manga, but it was the title that turned me into a serious manga reader.

Lex Luthor: Man of Steel, by Brian Azzarello and illustrated by Lee Bermejo. This brilliant mini-series paints Luthor in a sympathetic light, detailing why he despises Superman so thoroughly.

Ôoku: The Inner Chambers, by Fumi Yoshinaga. It’s hard for me to pick one of Yoshinaga’s works, but I would feel remiss for not including any of them. Ôoku, with its beautifully simple style (yet incredible amount of detail), historical setting, rewrite of history, and intriguing view of feminism make it an absolute must-read for anyone.

Ayako, by Osamu Tezuka. Again, it’s hard to pick one Tezuka work, but I have a special interest in stories about outside influences on traditional cultures, so this one really clicks with me.

20th Century Boys, by Naoki Urasawa. Because it’s brilliant.

52 by Geoff Johns, Grant Morrison, Greg Rucka, and Mark Waid (with layouts by Keith Giffen), from DC Comics. An amazing undertaking, publishing a comic every week. But they pulled it off, and kept the quality consistently high from issue to issue.

Y: The Last Man, by Brian K. Vaughan and Pia Guerra. One of my first real forays into comic books was this brilliant story about the literal last man on Earth.

The Sandman, by Neil Gaiman (and various artists). Fantastic, and perfect for a literature and mythology junkie like myself.

Skip Beat!, by Yoshiki Nakamura. I just adore it so much, I can’t get enough!

Alex Boney
Writer, The Panelists, Back Issue!, and Guttergeek

Jimmy Corrigan: The Smartest Kid on Earth, Chris Ware


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