David Lowery and the inefficacy of moral shaming.
The Cold War and America’s racial politics.
A lot of the work that claims to be so “high concept” doesn’t really strike me as actually being all that high concept. It’s more “heavy concept” than “high concept.”
What is so marvelous about this illustration is that it draws from abstraction a kind of conceptual quality without aiming for narrative or semiotics – an embodied, tactile concept dominated by space and sensation.