The Roundtable Has Pants: Writing Like Monet

I start with a disclaimer. I’ve been following Eddie Campbell’s career for two decades now. We’ve never met in person, but, since he does an autobiographical series (among other things), I feel that I know him well. Apart from that we’ve discussed Scott McCloud’s definition of comics in the now defunct The Comics Journal Messboard and I appear, sort of, in page 454 of the massive book that I’m now reviewing: Alec “The Years Have Pants” (A Life Sized Omnibus), 2009 (originally in Bacchus # 50, January 2000). That said, I’m not going to say that what follows is unbiased (it never is), but rest assured that I’m not deluding myself into thinking that I’m at a very polite tea party (no political pun intended).

Explaining the concept of the “graphic novel” to Dirk Deppey in The Comics Journal # 273 (page 83) Eddie Campbell said: “the graphic novel doesn’t exist. “Graphic novel” is an abstract idea. It’s a sensibility, it’s an advanced attitude toward comics. […][T]he culture of the graphic novel respects this, respects that, admires that and venerates this other thing. The graphic-novel sensibility is more interested in Frank King than it is in Jim Steranko, whereas comic-book culture is more interested in Jim Steranko than it is in Frank King.”

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The Roundtable Has Pants. And They Are Cranky.

I’d hoped to put this post later in the week and run more positive assessments first. But bumps occurred, and here we are. For Campbell fans, I’d urge you to read Suat’s preamble for a more loving assessment, or check out Robert Stanley Martin or Charles Hatfield for discussions of the Playwright. And of course the roundtable here runs all week.
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Eddie Campbell’s “How To Be An Artist” ends with Campbell writing an angry letter to the Comics Journal excoriating them for mistaking a Bill Sienkiewicz drawing for a Stan Drake drawing in the latter’s obituary.

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