Love and identity in Sixteen Candles and Nora Olsen’s “Frenemy of the People”
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The key to understanding Godard’s 1987 King Lear, unlike most productions of the Shakespeare play, is Charles Bronson’s Death Wish 4: The Crackdown
[Geneviève Castrée’s] comics are dreamlike, mysterious, symbolic, barely narrative.
May 2, 2013 | 12 comments
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