Love and identity in Sixteen Candles and Nora Olsen’s “Frenemy of the People”
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The key to understanding Godard’s 1987 King Lear, unlike most productions of the Shakespeare play, is Charles Bronson’s Death Wish 4: The Crackdown
In Octavia Butler’s Xenogenesis, humans tried empowerment. They built powerful bombs and more powerful bombs, and finally they all killed each other. Clearly, it’s time to try something else.
December 22, 2011 | 3 comments
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