Love and identity in Sixteen Candles and Nora Olsen’s “Frenemy of the People”
continue reading »
The key to understanding Godard’s 1987 King Lear, unlike most productions of the Shakespeare play, is Charles Bronson’s Death Wish 4: The Crackdown
Racial difference and cosplay.
November 7, 2013 | 7 comments
Copyright © 2014 The Hooded Utilitarian. All rights reserved.