Love and identity in Sixteen Candles and Nora Olsen’s “Frenemy of the People”
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The key to understanding Godard’s 1987 King Lear, unlike most productions of the Shakespeare play, is Charles Bronson’s Death Wish 4: The Crackdown
Dillon’s misleading representation of PO OCD sufferers.
November 25, 2013 | 39 comments
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