The Roundtable Has Pants: Writing Like Monet

I start with a disclaimer. I’ve been following Eddie Campbell’s career for two decades now. We’ve never met in person, but, since he does an autobiographical series (among other things), I feel that I know him well. Apart from that we’ve discussed Scott McCloud’s definition of comics in the now defunct The Comics Journal Messboard and I appear, sort of, in page 454 of the massive book that I’m now reviewing: Alec “The Years Have Pants” (A Life Sized Omnibus), 2009 (originally in Bacchus # 50, January 2000). That said, I’m not going to say that what follows is unbiased (it never is), but rest assured that I’m not deluding myself into thinking that I’m at a very polite tea party (no political pun intended).

Explaining the concept of the “graphic novel” to Dirk Deppey in The Comics Journal # 273 (page 83) Eddie Campbell said: “the graphic novel doesn’t exist. “Graphic novel” is an abstract idea. It’s a sensibility, it’s an advanced attitude toward comics. […][T]he culture of the graphic novel respects this, respects that, admires that and venerates this other thing. The graphic-novel sensibility is more interested in Frank King than it is in Jim Steranko, whereas comic-book culture is more interested in Jim Steranko than it is in Frank King.”

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