Fantagraphics Sale

You can help keep HU’s benefactors running and get a deal on exciting comics as well by participating in Fantagraphics’ 20% off everything on the website sale.

Not to harp on this, but…I had to find out about this sale from Tom Spurgeon’s website, and there’s no mention of it on the Tcj.com page either. I understand the impulse to separate editorial and marketing, I guess, and maybe it’s just because it’s early days, but…you do realize that the way you make money from a web presence is through sales right? Not through advertising? Tell me you know that, please?

Update: With remarkable restraint, Eric Reynolds tells me he knows that in comments.

Yeah, Yeah, Yeah

Everybody and their mother has been telling me how great the yeah yeah yeahs are, and I liked that song “Hysteric,” so I got “It’s Blitz” — and it’s really irritating me. My patience for the art school post-CBGBs “we’re really smart, and yet earthy in a cosmopolitan way” thing has worn extremely thin in my advancing middle age. If you’re going to be art school, be fucking flamboyant and weird like Ina Unt Ina or Khanate or even Cat Power. Because I really don’t care that you can be, like, totally cool like an oppressed person while still frantically signaling your high-brow cred. I can listen to VU and Blondie and Sonic Youth if I want that crap; I really don’t need anyone else to reiterate it.

Or am I just overly cranky?

Utilitarian Review 1/2/10

HU Elsewhere

HU took last week off, but I still had a few pieces up elsewhere around the webs.

I snuck in to the tail end of Tom Spurgeon’s holiday interview series over at the Comics Reporter with a discussion of the Elephant and Piggie children’s book series. (Update: Tom informs me that there’s another week of interview left, apparently — I am in the middle, not at the end at all.)

I don’t think it’s an issue of seeing it in the context of comics; Willems’ work is comics. He uses cartoony simplified animal characters and makes extensive use of comic tropes like motion lines and speech bubbles. The narrative is entirely advanced through sequential action; the movement and words of the characters directly tell the story; it’s absolutely not text with illustrations. Some of the chicken books even use panels. The only reason you wouldn’t call it a comic is because it’s not sold through the direct market, basically.

The second half of my survey of Thai Luk Thung videos is up on madeloud.

Still, there are other approaches. For example, there’s Por Parichart’s “Krai Sak Kon Bon Tarng Fun,” or “Someone on a Path to My Dreams.” It basically follows the usual luk thung formula — with a slight conceptual twist. Luk thung is often referred to as “Thai country music” because its audience and lyrical themes are both mostly rural. However, “Krai Sak Kon Bon Tarng Fun” is unusual in that it actually sounds like American country music. The band hits a Nashville groove like they’ve been listening to Hanks and Merles all their lives, while Por, the singer, imitates Dolly Parton down to the breathy yodeling quaver. And as for the video — well, the set designers appears to have seen Hee Haw.

Also on Madeloud, I have a review of a reissue by shoegaze legends Teenage Filmstars.

And at Metropulse I review the blaxploitation comp “Can You Dig It?” and the gospel comp “Fire In My Bones.”

Other Links

There are a couple of amazing essays by former Utilitarians up on tcj.com. First, Tom Crippen has a spectacular essay about Alan Moore and geekism. And then Bill Randall has an equally spectacular essay about the odd progression of manga in America. You really need to go read both of them; they’ve both kind of outdone themselves.

Also on tcj.com, Steven Grant has a brief, acerbic, and hysterical take on the Spirit pop up book.

Then Shaenon Garrity has an even briefer, even more acerbic, and even more hysterical take on Acme Novelty Library #19.

I enjoyed Chris Mautner’s discussion of Scott Pilgrim, a comic I’ve never read but am now thinking I should.

The one-woman comics-news dervish that is Brigid Alverson has a thorough round-up of this year’s manga news over at Robot 6.

Music For Middle-Brow Snobs: Luk Thung Apocalypse 2

1. Surapol Sombatjaroen — Doht Rom [Parachute] (Poo Pae Ruk)
2. Thongmark Leacha — Now She Loves Every Man Except Me (Molam: Thai Country Music v.2)
3. Aungkana Kunchai — Finishing My Business in Burma (Molam: Thai Country Music v. 2)
4. Job & Joy — Sao Nar Soan Nong [Teach the Farm Girl] (Sabud Yun)
5. Pamela Bowden — Wud Jai Kun (Bow Daeng Saerang Jai)
6. Bussara Sriroongrueng — Juk Ka Jee (Dao roong Loog Thung pop)
7. Duangjan Suwannee — Rong Kao Fun (Show Ber Mai Show Jai)
8. Aump Nuntiya & Boonta Muangmai —Worn Pee Mee Ruk Deaw (Wong Kalimae)
9. Kratae (with Peter Fodify) — Yaa Wai Jai Tarng yaa Warng Jai Krai [Trust No One] (Rud Mon Non-Stop)
10. Kratae —Perd Jai Sao Tae [Open Your Heart, Girl] (Rud Mon Non-Stop)
11. Poifai Malaiporn — Muk Laew Krub [Likely To] (Muk Laew Krub)
12. Cathaleeya Marasri — Proong Nee Ja Lerk Kid Tueng (Ruam Hit Pleng Dunk)
13. Cathaleeya Marasri — Nong Kai (Ruam Hit Pleng Dunk)
14. Tai Orrathai — Tung Jai Luem (Morlum Dok Ya)
15. Siriporn Umpaipong — Tum Barb Bor Long (Mor Lum Baan Don Vol. 3)
16. Wipoj Petchsupan — Baa Yor [Fond of Flattery] (Huang Look)

Download Luk Thung Apocalypse 2