Bill Randall Provides Free Professional Advice for TCJ.com

I still haven’t reconciled myself to Bill Randall’s departure from this blog…so I’m going to pretend he’s still here by stealing his comment from an earlier thread and making it into a post against his will.

Especially since I occasionally hope that someone form tcj.com reads this site, and I wanted to put this where they’d see it, just in case.

So here’s Bill:

My quips aside, here’s an online marketer’s perspective, since I do that in real life. And I am snowbound & procrastinating, unlike Vancouver.

(My first draft turned into an online business plan. Split-testing, Crazy Egg, conversions. Madness! If you’re interested, drop me a line and I’ll have you selling acai berry in an hour.)

Short version: the design gaffes suck, mainly for framing the launch as TCJ/Fail. Yet they can be fixed… install the Disqus comments manager here, move the RSS feed to the top there. “Continuous muddling” becomes “continuous improvement,” as Toyota would have it.

The big problem?

The “interminable stream of content” favors clicks, while TCJ is (and should be) written for readers.

For clicks, sell ad space. Split articles up over multiple pages. Tell advertisers you get X unique visitors and X^2 pageviews. Put the ads in the hotspots for ads.

For readers, find out what they want, watch what they do. Give them free stuff (essays, TCJ-Date, Krypto-Revolution of the Age with tween trolling & RickRolling in the comments) and they give you time & attention, eventually as a reflex. Everyone reading this has sites you check 5 times a day, and TCJ’s main page is not one of them. HU might be.

Right now TCJ’s design favors clicks over readers. Johanna Draper has pointed out it needs just a few small fixes– the commenting thing is the main one, easily fixed with a plugin like Commentluv or Disqus. Read her post, though, for her accurate take on the mismatch in Gary Groth’s opening shot and the reality of the site’s execution.

One of the biggest things I’ve learned since Noah invited me to HU, since I left, and from hanging out, is the very real degree to which the internet is about conversation. Its whole damn architecture favors conversation. Whoever fosters that will thrive, whoever stomps it out or ignores it will fade. Noah’s very, very good at fostering it. TCJ was when people wrote letters. If it can translate the spirit of the old Blood & Thunder into curated blog comments, six months from now everyone will be reading it first thing in the morning for the spit & gristle.

And buying acai berry from their email list.

And here’s a question: what are some sites to model?

PS
I left out the best thing.

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Update: And while we’re on the subject: why the hell is Eric Reynolds writing this for the Comics Reporter rather than TCJ.com? (Link by Sean Collins.

Update 2: Just to be clear; there’s nothing against Eric. It’s a fascinating essay, and Tom’s to be congratulated for getting it and putting it up. But it just seems like gross negligence that tcj.com can’t even get important news features and scoops from Fantagraphics own publishers.

TCJ.com/fail/update: A Comment

(Part of an impromptu mini-roundtable on the failure of TCJ.com)

A few days ago, Noah wrote to me about a critical endeavor that he is planning for the HU site. By the by, I mentioned that TCJ.com deserved another “kick in the butt” now that it had enough time to improve itself to which he responded that he was planning a little something on Sunday (read here).

Noah’s complaints are not the voice of a single cranky individual, they are merely some of the unvoiced grievances of a number of online reviewers and comics enthusiasts. Noah, as well as I, can point to a number of seasoned reviewers and bloggers who find the new TCJ.com a mess.

Continue reading

TCJ.com/fail/Update

It’s been more than two months since I wrote this post discussing some of the problems on TCJ.com. I wanted to do another go round — though I think this time there’ll be a good bit less fire and brimstone. In part that’s because there have been improvements to the site. Mostly, though, it’s because my initial disbelief and panic has largely given way to resignation. This is the tcj.com we’re going to have; best to get used to it.

Let’s start with the positive though. The site design has been improved. Clear visual boundaries have been added at the bottom of each post, and the “Read More” links have been made clearer and more attractive. Some (though not all) posts now have brief summaries on the main page rather than just starting in with text, so the posts no longer ends in the middle of a sentence. The Comments links on individual posts are also easier to find. And helpful blue tags (“Review” “News” “Blog” etc.) have been added to each post. All of this may seem like small beer, but the cumulative effect is noticeable. The site still isn’t particularly appealing, and the flashing ads on the side remain distracting and ugly. But it’s no longer a chore just to look at the content.

TCJ has also added a box of links to “Top TCJ” stories in the sidebar. Again, it’s not a huge change, but it’s definitely a good idea — and will hopefully give new users a good introduction to recent content. Individual posts now have social networking links available, which seems like a good move. And the link to the message board is now better marked, which is helpful (though it may be too little too late at this point.) Finally, TCJ is now down with those newfangled social networking sites. (Though one of the first Twitter posts is a Ken Smith link? Why?)

So that’s the good.

The bad is that TCJ’s content has been unsettlingly erratic, to put it mildly. There remains a lot of good writing, from Shaenon Garrity, Matthias Wivel, Tom Crippen, and many others.

But there’s also been David Ritchie posting random tchotchkes, Dave Pifer posting even more random snapshots and
Kent Worcester posting his course syllabus, complete with advice on writing style quoted from Strunk and White. And while these are particularly egregious examples, they aren’t aberrations. You don’t get through a week on tcj.com without at least a post or two that makes you think, “what the fuck?” And not in a good way.

The problem here isn’t that posting random photos or random crap or your syllabus is necessarily wrong. My very strong preference would be not to look at any of those things…but probably someone out there is interested, and what the hell…more power to them. I mean, I keep posting these music downloads even though it’s fairly clear nobody really wants them. But, damn it, it’s my blog, and my readers can l scroll past it once a week if they want to get to the comics criticism.

That’s kind of the thing though; it’s my blog. With tcj, it often feels like there’s nobody at the helm. To pick on poor Dave Pifer again — who is he? Why am I looking at this snapshot he posted, anyway? TCJ.com has managed to get a blog’s randomness without the blog’s personal touch. Thus, for example, R. Fiore’s one-liners come across not as charming eccentricities, but as half-assed fuck-yous by somebody who’s posting because he’s supposed to, rather than because he’s actually committed to being there.

The sense that no one gives a crap is only accentuated by the fact that so many of the supposedly regular bloggers are already AWOL. Where did Anne Ishii go? Eric Millikan, one of the most interesting promised bloggers, barely even got started. There are some constants; Shaenon has been a rock; R.C. Harvey pops up consistently to talk about the comics pages; Rob Clough has been blogging his heart out. But overall…well, on February 10, there were 7 posts, one of which was an HU link, and one of which was Journalista. So you’ve got like 20 writers listed on the side there and effectively five posts. One of which, as it happens, was a review by me.

Meanwhile, on the same day, Tom Spurgeon had 17 posts. Sure, some of them are just individual images…but many of them were substantial. With its layout problems, the one thing tcj.com had going for it was the promise of constant, high-quality content…and yet its team of dozens is getting its ass kicked by one guy. Because that one guy actually cares. And caring, as it turns out, really matters.

I’m being somewhat inconsistent here; in my earlier post I said there was too much content; now I’m saying there’s too little. But, alas, I think the site has managed to have both problems at once. Because there’s no sense of why what’s being posted is being posted, the site feels both overwhelming and insubstantial. The whole thing has an air of despairing malaise — the toilet paper spools and spools, and you can hear the creaking and the distant flush. Who are we talking to? Do they want to hear tit jokes? Do they care what happens at the Hooded Utilitarian, and if so do they really want those damned desperately “controversial” updates every day? The comments sections positively echo; the message board has been rendered almost mute; it’s like everyone’s sitting around with their mouths slowly sagging, waiting for the drool to plop out and ruin their laptop so they can get up and burn their longboxes in despair .

I’ve made suggestions before about what the site should do, and I guess I still have ideas about what I’d change if I were king of the world. But at this point it mostly feels like rearranging the deck chairs, etc. — or, to pick a more poignant metaphor, like adjusting the format of your magazine for the fifth time while the industry goes belly-up. I think tcj.com’s main problem is simple, and perhaps unfixable — there’s no sense of editorial guidance. I have the highest regard for Gary, Michael Dean, Kristy Valenti, and Dirk. Individually and together, they know a ton about the industry, a ton about the internet, and a ton about putting a magazine together. For whatever reason, though, all that talent, knowledge, and dedication has so far added up to a site which seems to be running on autopilot. I mean…why not have themed weeks? Why not have roundtables? Why not have new interviews, for god’s sake — that’s what the Journal is known for, right? (And when you do have an interview why not include a paragraph or two of introduction so that people who don’t already know the interview subjects have some incentive to wade into the four part video?) Why not have Gary dive into that rolodex and get some creators to write pieces? Why not do something to make it seem like the energy that went into so many issues of the journal is being put into tcj.com? Everybody involved knows that a successful magazine needs enthusiasm, heart, and genius if anyone is going to want to read it, but nobody seems to have noticed that a successful website needs the same thing. The cosmetic changes are helpful and appreciated, but until and unless someone decides to treat this site as a personal labor of love, it’s not going to be worth the bytes it’s printed on. And bytes aren’t worth a hell of a lot.

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Update: Suat has an even more brutal take here

Update 2: And Johanna Draper Carlson weighs in.

Just in case anyone thinks that this particular snarkfest brings me joy, I thought I’d mention that reading Suat and Johanna on tcj.com, as well as many of the comments here, makes me feel vaguely sick. I would like tcj.com to succeed anyway, but having tied my fortune to their wagon…well, let’s just say I keep hoping that things aren’t as bad as I think they are. Being continually disabused of that hope by a long line of folks whose opinion I value is not especially pleasant.

Update: And Heidi weighs in.

Caroline Small Joins the Hooded Utilitarian

I’m very pleased to announce that Caroline Small (better known to our comments readers as Caro) is going to be joining the Hooded Utilitarian as a regular blogger. In her day job, Caro runs the Flebus Project, a digital humanities collective that preserves mid-20th-century visual culture. She’ll be starting in with the blogging either this week or next, so say hello when you see her.

Utilitarian Review 2/13/10

On HU

We started out this week with me explaining why R. Fiore is wrong about the Watchmen. A lot of comments, some of them even about Watchmen.

I posted my report on a panel on Gender and Cartooning in Chicago.

Richard reviewed the first volume of Parasyte.

Suat discussed a classic comics adaptation of the Chinese novel Dream of the Red Chamber.

I reviewed Manhwa 100, a catalog of Korean comics.

And this week’s download featured Beethoven, prog, and other things.

Utilitarians Everywhere

In my monthly Comixology column I review Craig Yoe’s recent collection of Joe Shuster’s fetish comics.

So Shuster was into kink, then? Yoe does manage to uncover some evidence that the artist had an eye for chorus girls and the female form. But while that’s interesting, it’s not really the main issue. The point here isn’t that this or that creator had a personal thing for spanking or sadism or masochism. Rather, the point is that as a genre superhero comics simply aren’t that far removed from the kind of pulp fetish porn that Shuster retailed in Nights of Horror. Read through Yoe’s plot synopses of the sixteen plus issues that Shuster illustrated and you’ll get a definite feeling of déjà vu. Damsels in distress, evil hooligans, manly private dicks, and fiendish torture devices — didn’t Shuster illustrate all of this somewhere before? You’ve even got a fair number of men getting shown up just like that milquetoast Clark Kent…though, admittedly, Kent’s humiliation didn’t usually involve a French maid.

On tcj.com I sneered mean-spiritedly at kid’s manga Dinosaur King.

Also on tcj.com, also sneering, my review of the shojo title Book of Friends.

On Metropulse I review Sade’s new album.

And on Splice Today I talked about why John Le Carre’s famous novel, The Spy Who Came In From the Cold, is an idiotic, melodramatic piece of horse dung.

Other Links

I enjoyed this mean-spirited manga review by Erica Friedman.

Shaenon defeats Captain America.

And Matt Yglesias
makes with the Watchmen reference.

Music For Middle-Brow Snobs: Wilhelm and Claudio

A couple of Beethoven sonatas and random other things. I am excessively into the Alan Parsons Project and Priestess. I love prog.

1. Wilhelm Kempff — Beethoven Sonata #27 in E Minor, Op. 90 (Late Piano Sonatas)
2. Siriporn Umpaipong — Lakorn Chewit (Jumbo Hit)
3. Sade — Be That Easy (Soldier of Love)
4. Lady Gaga — Eh, Eh (Nothing Else I can Say) (The Fame Monster)
5. Martyn (featuring the Spaceape) — Is This Insanity? (Great Lengths)
6. Alan Parsons Project — The Voice (I Robot)
7. Priestess — The Firebird (Prior to the Fire)
8. Necro Deathmort — I Fought the Law and the Law Won Because Fighting Is Against the Law (The Beat Is Necrotronic)
9. The Skaden — A Peaceful Moment (You’ll Hope I Died)
10. Liz Carroll and John Doyle — The Island of Woods
11. 1349 — To Rottendom (In Play)
12. Claudio Arrau — Piano Sonata No 32 in C. Minor, Op. 111

Download Wilhelm and Claudio.

Manwha 100

Manhwa 100: A New Era for Korean Comics
KOCCA
252 pages/color
softcover/$19.99
978-1-60009-951-9

At least two of my favorite comics of the last few years have been Korean — Jung-Hyun Uhm’s gentle, low-key romance Forest of Gray City and Sooyeon Won’s brutal, melodramatic yaoi Let Dai. So I was curious to learn more about the manhwa (Korean comics) scene.

Unfortunately, this little volume is not quite what I was hoping for. Manhwa 100 is only a book in the loosest sense that it’s got a binding and a price tag. In its soul, it’s a glorified catalog put together by the Korean Culture and Content Agency (KOCCA) to promote Korean culture. To that end, a couple of short introductory essays are provided. In one, Korean comics creator (or manhwaga) Lee Hyun-se says he doesn’t think manhwa should be discussed in terms of manga, then proceeds to compare the two anyway while balancing a chip on his shoulder that looks to be roughly the size of a particularly glutinous giant panda who has just been force-fed every volume of Ranma 1/2. In another short essay, Kim Hyun-joo, a Tokyopop editor, talks about how great manhwa is, and then encourages Korean creators to dumb down their work for an international market by dumping the untranslatable wordplay and shortening the stories, since audiences are driven away by series which “drag on and on” (like Naruto?)

The bulk of the book, though, is made up of two page profiles of 100 different manhwa titles. Two or three illustrations are provided for each, and many look intriguing — the image provided for Marley’s Dokebi Bride for example, uses a striking combination of solid colors over subtle patterns to render a traditional folk dress in a style more evocative of (first rate) children’s book illustration than of your typical shojo.

Unfortunately, it’s hard to get a real sense of the various series’ strengths and weaknesses from the provided text. In part, that’s because the capsules are puff pieces, not reviews. In part, though, it’s because the English is…well, better than my Korean, but still a little shaky. For example, in the review of Chonchu, we are earnestly informed that: “Its characters are also very expressive. They are portrayed effectly to show whether they represent the good or the evil. Whichever side they are, they all boast well-built bodies and formidable costumes.” I do not think that word means what you think it means….

As a promotional tool, the book could work well enough; I went right over to Amazon and purchased the first volume of Dokebi Bride, and I suspect I’ll find other reasons to open my wallet as I continue to browse around. I’m certainly happy to have received it free as a review copy. But I find it difficult to believe that anyone is going to want to spend $20 on what is essentially an extended advertisement, no matter how thoroughly unanticipated the prose has been making itself.
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This review first appeared in The Comics Journal.