Shatner does Palin

The truth is it’s just okay. Shatner is much funnier when he thinks he’s being serious, which is most of the time. [update, Of course, these days he doesn’t normally think he’s serious; Noah mentions Iron Chef down in Comments.] Here he knows he’s doing a joke and he has the typical overemphasis of a celebrity being a sport. Also, the bongos and upright bass aren’t the killing comedy touches they might have been in 1983. The Beatniks have taken a lot of licks by now.

And the extract is the nature stuff only, no “So, how ’bout in honor of the American soldier, ya quit makin’ things up.” When I first heard about the skit, I thought for sure they’d do “teeny tiny delicate starlets” and “perpetuating some pessimism and suggesting American apologetics” and other cases of assonance and consonance leading the ex-Gov along like a mad horse dragging a 10-year-old.
 
But anyway, the clip is here.

more boys vs. girls at san diego comic-con

So I’m no good at doing peppy little wrap-up posts, but I’ve gotta record for posterity my favourite overheard moment of last weekend.

It was in the women’s bathrooms by the Small Press area, and I was leaving out the door so I have no idea what the women looked like or anything. All I heard was, “I told that costumed guy to ‘beat it, nerd!'”

Republican senator makes fun of how Southerners talk

Thank you, George Voinovich of Ohio. The party’s on hard times, you want to analyze why, so what do you do? Make fun of how some population group talks:

“They get on TV and go ‘errrr, errrrr,'” he said. “People hear them and say, ‘These people, they’re southerners. The party’s being taken over by southerners. What they hell they got to do with Ohio?'”

Yeah, well, maybe what they’re saying isn’t too good either. Consider that as a source of your problems.
Making fun of how people talk is a great pleasure in life, but it should not be a default reflex. Somebody who makes it into one is probably a jerk.
(Via Benen, original article here.)

Finding examples of bullshit

Because it was my love. She couldn’t decide that. It was my love.

That’s how I remember a key line from Adaptation, the movie by Charlie Kaufman. The movie’s second half is a point-by-point parody of a typical modern-day Hollywood popcorn film, with beats and pivots and so on. There’s the fake plot breakthru (the villainess says she’d like to have dinner with Jesus or John Lennon, so now the heroes know she’s a big liar and that she’s up to something), the race against time, the quiet heartfelt moment before the big action climax. During the quiet heartfelt moment, the dopey brother tells the smart brother (the arc is about two brothers who must be reconciled) that in high school, sure, he had a crush on that hot girl even though she made fun of him, that he kept loving her even after he caught her and her friends laughing about him and what an idiot he was. Why? And then the line given above, a really fine pastiche of a dopey Hollywood pseudo-profound gnomic utterance. 
I would have thought that was a perfect example of bullshit, as the word is used in H. G. Frankfurt’s “On Bullshit.” I mean a supposed statement that actually says nothing. This kind of bullshit is to statement what a slug (by which I mean a round, blank disc, not a garden slug) is to a coin. The slug does nothing that a coin is supposed to do except feel like a coin. Someone who isn’t paying attention will put it in his pocket and believe he has a coin there. But it’s all a fraud. The same with a sentence of bullshit: You hear it, and it feels just like something has been said. A lie, on the other hand, does say something, but something untrue.
I’ve been looking for examples of bullshit, finding them, and then having them squirt away from me. When you go down a few layers, there’s always some specific lie hidden away. It’s just that the lies have to do with heady matters that don’t get looked at directly most of the time.
For example, “Because it was my love. She couldn’t decide that. It was my love.” Compare that with the following:
So, this momentary ego approval was not as great as the feeling of loving her! As long as I was loving her, I felt so happy. But when she loved me, there were only moments of happiness when she gave me approval. … Her loving me was a momentary pleasure that needed constant showing and proving on her part, while my loving her was a constant happiness, as long as I was loving her
I concluded that my happiness equated to my loving! If I could increase my loving, then I could increase my happiness!  *
The speaker is a man discussing the great change in outlook he underwent during his 40s. I think a lot of people would agree with what he said. I haven’t read the book in question, just glanced at a couple of pages, but I gather that the speaker goes on to draw many sweeping, straight-line conclusions from this discovery. They may be right or wrong, I have no idea. But his starting point would strike many people as correct: not just that it’s better to love than to be loved, better as in morally desirable, but that you get more out of loving than being loved. There’s more return.
With that point established, the Charlie Kaufman line looks a bit different. All of a sudden I can see how it might actually mean something — something highly debatable, not to say false (that the benefits accrued from loving have nothing to do with the person being loved, with whether they return the love or treat you decently, and so on), but something that can be turned into a statement.
Thinking about it, there’s another heady claim that the line could be based on: the idea that everything about you is somehow your property and that the key thing is to make sure no one else ever has a say in its disposition. That sounds a bit Ayn Rand-ish, but Hollywood goes in for a debased form of self-actualization that could also give rise to a claim like that, at least if a screenwriter was desperate enough.  
* From Happiness Is Free and It’s Easier than You Think by Hale Dwoskin and Lester Levenson. Achmed, a cafe rat I know, pressed the book on me, he said sheepishly.

Good example

Lawrence, a very well-read cafe rat I sometimes bump into, was pouring scorn on the way Republicans pretend that Joe Biden’s run-off-at-the-mouth tendencies are proof that Sarah Palin isn’t stupid. Lawrence said Biden could talk for an hour on any given political/policy topic and make sense, whereas Palin would fall apart 10 seconds after her sound bites ran out. Good point!

The problem with Biden isn’t that he’s ignorant or muddleheaded, it’s that his mouth goes way too fast. Occasionally he’ll get some matters of fact garbled, like someone committing a spoonerism even though he knows where the syllables are supposed to go. More often he says something that’s simply impolitic. Michael Kinsley likes to say most “gaffes” are statements that are true but politically inconvenient. If someone asks you what magazines you read and you reply, in effect, “Uh, all of them?” that is not a gaffe. But if someone asks you what you, as vice president of the United States, think of the situation with Russia and you say:

The reality is the Russians are where they are. They have a shrinking population base, they have a withering economy, they have a banking sector and structure that is not likely to be able to withstand the next 15 years, they’re in a situation where the world is changing before them and they’re clinging to something in the past that is not sustainable.

… that would be a gaffe. But as a lucid, straight-from-the-shoulder overview of an economic-political situation it’s not bad. At least he knows about population bases and banking structures and stuff. I like that in a political leader.
(Via Sullivan, with Biden interview here.)

something is rotten in the garden patch

A terrible, terrible metaphor I ran across in a story on tomatoes at the NPR site:

I could never stand to see tomatoes treated that way. Just thinking about it makes me hungry. And it’s almost lunchtime. Out in the vegetable patch, the Brandywines are as red as raw steak. The Juliets are as ripe as their Shakespearean namesake, and the Arkansas Travelers are blushing pink.

The Juliet of the famous play, age 13, was not even ripe by the standards of the day, much less now. I have by now seen a couple of excellent Juliets, which was enough to bring me around on the romantic power of the play and the character, but calling the tween Juliet ripe has ickily Lolita-esque implications. Bad metaphor! Bad!