Criticizing the Critics: Moto Hagio’s A Drunken Dream

Over the last couple of months, I’ve written five lengthy posts about A Drunken Dream Fantagraphics’ collection of stories by the great shojo manga-ka Moto Hagio. I’ve spent so much time on this book for a number of reasons. Hagio is a central figure in the history of shojo, a genre in which I’m interested. Matt Thorn, the volume’s editor and translator, is one of the most important manga critics around,so anything he does is worth thinking about carefully. And, finally, this is meant to be the first in a series of reissues of classic shojo tales by Fantagraphics. That’s an exceedingly worthwhile project, and I wanted to draw attention to it.

To finish up my series, I thought I’d look briefly at what other critics have said about A Drunken Dream.

I certainly haven’t been alone in seeing this book as important. Deb Aoki at About.com gave it 4.5 stars and said it was “a long overdue glimpse into Hagio’s 40-year career. Melinda Beasi picked it as her book of the week, calling it gorgeous. David Welsh in a discussion of the best manga of the year similarly, if more somberly, commented that on best of the year lists, “Moto Hagio’s A Drunken Dream and Other Stories (Fantagraphics) didn’t seem to make much of an impression outside of dedicated manga readers, which is disappointing to me as a dedicated manga reader.”

So…many stars, pick of the week, should be on best of lists. Check, check…check! Sounds good! Long awaited collection by a manga master, critics love it — there must be a lot of juicy articles out there discussing why the book is so wonderful, right? Right?

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Elfquest Re-read: Issue #1 and Youthful Fannishness

I was introduced to Elfquest about 1980 in Bobbie’s Books, the local used bookstore which doubled as Bryan, TX’s only comic store at the time. I wandered over to the wall racks holding comics near the register, and started poking through them.  I owned all of three comics at the time, purchased as some sort of three-pack from a local bookstore that had recently folded. There was one Disney comic, a forgettable superhero comic, and one science fiction horror comic sandwiched between them that weirded me the hell out. All I remember is one panel of some sort of bubbly goo, found on a distant planet by the protagonists. It unsettled me enough that I hid the comic underneath a pile of stuff in my room, and would occasionally pull it out to look at it when I’d screwed my courage up–I remember a distinct feeling of nausea when reading it. Why it was packaged with a Disney comic, I’ll never know.

Anyway, it’s a wonder that I was looking at the comics rack at all. I remember even then not really liking the mainstream superhero art styles of the 1970s (still don’t!). But the owner of the store noticed me, handed me Elfquest #1, and said, “You want to read this.”

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Monthly Stumblings # 7: Aristophane [Boulon]

Les soeurs Zabîme (the Zabîme sisters) by Aristophane [Boulon]

Can you imagine yourself in Kupe’s lighthouse (that ideal comics library filled with books that don’t exist in Dylan Horrocks’ Hicksville)? I do sometimes, but, even if I wholeheartedly agree with Kupe’s point of view (which is: “The official history of comics is a history of frustration. Of unrealised potential. Of artists who never got the chance to do that magnum opus. Of stories that never got told – or else they were bowdlerized by small-minded editors…”) my particular lighthouse has a few books whose content does exist, but isn’t available. Books like Santiago “Chago” Armada’s Sa-lo-mon, or Rafael Fornés’ Sabino, or James Edgar’s and Tony Weare’s Shannon Gunfighter or Isepinal and the Apaches, or Héctor Germán Oesterheld’s and Francisco Solano López’s Amapola Negra (Black Poppy), or Martin Vaughn-James’ The Park

Cuban artists “Chago” Armada (left) and Samuel Feijóo (photo published in Signos # 32, 1984). The drawing is Armada’s.

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Utilitarian Review 11/26/10

On HU

Slightly short holiday week this time out.

Kinukitty reviewed the semi-historical yaoi Maiden Rose.

For our Sequential Erudition series reprinting academic articles on comics, Ariel Kahn discussed the role of the gaze in young adult graphic novel.s

Sean Michael Robinson looked at some old books about the art of drawing.

And for the holiday, Alex Buchet posted a gallery of Thanksgiving comics.

Utilitarians Everywhere

At Splice Today I have a short review of The Disappearance of Alice Creed.

Also at Splice, a short review of Ke$ha’s new album Cannibal, vagina dentata and all.

At Madeloud I review some semi-recent mash-ups.

Other Links

Sean Collins’ review of High Soft Lisp touches on some issues that came up in this blog’s discussion of Gilbert Hernandez.

And Charles Hatfield enters the lists on behalf of Joe Sacco against an army of trolls. I don’t really like Joe Sacco’s work much, but Charles is definitely fighting the good fight on this one.

Celebrate Imperialism!

It’s that time of year when Americans give thanks that the smallpox virus and small arms fire cleared a continent for Europeans and their livestock. In that healthy spirit of aggressive annexation, I am imposing my provincial holiday on our international contributors and closing shop for a few days. Happy turkey eating, if turkey is what you’re eating, and we’ll be back as usual on Sunday.

Books for Looking

I’ve recently begun teaching cartooning again. That event, and the approaching season of commerce gift giving have persuaded me to take a look at some interesting books that have a tangential relationship to the subject. There are plenty of books out there that directly address the processes and skills of cartooning, with greater or lesser results (I happen to think Scott McCloud’s Making Comics is the clear champion in this category) but for the purposes of this post I’ll be covering those books that might not have quite as direct a connection.

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